Patron: Dr. Carsten Brosda, Senator for Culture and Media Hamburg
15.01.2027 / 19:30 Uhr / Premiere
16.01.2027 / 19:30 Uhr
17.01.2027 / 18:00 Uhr
St. Pauli Theater Hamburg
Agnes Kovacs, soprano / Ella Marshall Smith, soprano / Laura Richter, soprano / Elena Müller, soprano / Paula Rein, alto / Johanna Backhaus, alto / Fabian Kelly, tenor / Mirko Ludwig, tenor / Josua Bernbeck, bass / Karl Soderstom, bass
Balthasar NOVA / Balthasar Neumann Continuo
Viktoria Holenok, staging / Sina Eichhorst, stage /Jana Schwinger, costumes / Andreas Küppers, direction
Tickets for the premiere and the subsequent performances are available here:
“’The Voice of Society’ brings together science, art, society and politics in an interdisciplinary opera production of profound social relevance. Its musical foundation is provided by works by Johann Mattheson, a visionary Hamburg social reformer, composer and passionate advocate of diversity and education through music. His historic initiatives – from public concerts and strengthening the role of women to conveying moral values through art and music – have left a lasting mark on Hamburg’s civic society.
At the highest musical level, musicians from the Balthasar Neumann Ensembles will shape the project together with European students from the Balthasar NOVA programme. The project gives young artists from Hamburg and across Europe a voice: it encourages them to develop their own artistic and social perspectives, to articulate their visions of a better society and a new, more solidaristic Europe, and to bring these visions into society.
I am delighted to assume the patronage of this important and inspiring project.”
Dr. Carsten Brosda, Senator for Culture and Media of Hamburg
Johann Mattheson (1681–1764) was a composer, singer, writer, translator, diplomat, and one of the defining figures of 18th-century Hamburg. Above all, however, he was a passionate communicator who believed that music could bring people together and strengthen social cohesion. He advocated broad access to culture, engaged with questions of social participation, and repeatedly found new ways to make his voice heard.
As a singer, his voice played a decisive role in shaping the musical life of the Oper am Gänsemarkt between 1690 and 1705.
As a composer, he allowed his voice to speak through other musicians and left behind a lasting legacy that can still be explored today.
As a writer, he used his voice to share knowledge and draw attention to social grievances.
As a translator, he made the voices of others heard where language barriers might otherwise have rendered them silent.
As a diplomat, he used his voice to foster political connections across national borders.
Few figures of his time embodied diversity, vision, and progress as strongly as Johann Mattheson. His extraordinary life and career invite us to take a closer look at his artistic, literary, and diplomatic work. We actively draw on the historical initiatives of this important “voice of society” to bring a shared vision of a better society and future to life.
“(...) merely pleasing the ear is by no means the ultimate purpose; rather, the heart, soul and mind must (...) be moved and improved.”
Johann Mattheson
We would like to express our heartfelt thanks for the generous support provided by the European Union and the Musikstadtfonds of the Hamburg Ministry of Culture and Media, as well as to all other funders and cooperation partners whose support makes this special project possible.